BOSS SY-300 Guitar Synthesizer Review by Sweetwater
Июль 1, 2015
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Mitch Gallagher puts the BOSS SY-300 guitar synth to the test in this episode of Guitars and Gear. It's BOSS's most advanced guitar synthesizer yet: no special pickup is required, the tracking is ultra-fast, and it allows for polyphonic playing and tracks chords very well. Four footswitches allow you to switch presets as well as modulate the synth tone. Four built-in effects processors can be added anywhere in the internal signal path, and there's even a send/return loop for adding external effects.
One extremely cool thing about the SY-300 is that the tone actually changes when you switch pickups on your guitar. That's because the SY-300 is generating its sound based on what it's hearing from your pickups. Factor in the ability to bend strings and play with vibrato, and you've got one of the most expressive guitar synth systems around.
If you want to extend your sonic range beyond typical guitar tones, the BOSS SY-300 is a great solution that doesn't require you to add an extra pickup to your guitar. Thanks for watching!
Get the BOSS SY-300 guitar synth here: http://www.sweetwater.com/store/detail/SY300
Sweetwater's Guitars and Gear, Vol. 130
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Roland GR55 Guitar Synthesizer Demo with Alex Hutchings
Roland have a long history of Guitar Synth/MulitFX pedals and this GR55 is the latest cutting edge offering, capable of amp modelling as well as wild space age synths and modelling real instruments like brass, organs etc. Watch to see it put through its paces by the legendary Alex Hutchings with the usual banter from Chappers.
Click below to see the product
http://www.andertons.co.uk/multi-fx-units/pid19978/cid693/roland-gr55-guitar-and-bass-synthesizer-with-gk3-pickup.asp
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Why do the session legends all use P basses? Here's why.
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Ever wondered why so many top session bassists use P basses?
Ever wondered why certain producers and engineers almost flat out refuse to track with anything other than a P bass?
It's weird, right?
Well, in this lesson I've got a very special guest with me... the LA session legend, Sean Hurley. Bassist for the likes of John Mayer, Robin Thicke, Idena Menzell and many, many more.
And you're about to hear his story about the P bass.
About the time when he turned up to the studio with his active 5 string, cut the track... and then was politely told...
"great playing, but errrr... that bass sound... errrr... I'm sure we'll be able to fix it in the mix"
Bass. Players. Nightmare.
Let's be serious.
Any musicians nightmare!
Obviously, check out the video... and find out what happened next, and how it was a defining moment in Sean's career.
As always, see you in the shed...
Scott :)
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Mooer Ocean Machine (Devin Townsend) - Ambient Guitar Gear Review
Mooer Ocean Machine Affiliate Link: http://amzn.to/2sEIvf7
The MOOER OCEAN MACHINE has landed. Will it "Ambient Guitar"? Heck yeah! Come along for the ride as I demo the ease of creating a patch, and run through some of the factory presets of this amazing ambient machine that is associated with Devin Townsend.
Chords of Orion Amazon Affiliate Link: http://amzn.to/2eKzHwf
Chords of Orion Music:
Bandcamp: http://chordsoforion.bandcamp.com
Spotify: https://open.spotify.com/artist/5wAEUYYvdEgQkERSCm4O4v
Chords of Orion on Apple iTunes/Music: https://itun.es/us/iPqNQ
—- Ocean Machine Delay A Types —-
Digital: High fidelity delay with clean repeats
Analog: Vintage BB style delay with warm degrading repeats
Tape: Based on a classic reel to reel tape echo
Echo: Based on a vintage echorec
Liquid: Digital Delay with modulated Phaser repeats
Rainbow: Special effect pitch Delay with modulation
Crystal: Special effect pitch Delay with glistening highs
Low-Bit: Delay with bit crusher
Fuzzy: Delay with Fuzz
—- Ocean Machine Delay B Types —-
Digital: High fidelity delay with clean repeats
Analog: Vintage BB style delay with warm degrading repeats
Tape: Based on a classic reel to reel tape echo
Real: Clear delay with natural sounding repeats
Dyna: Dynamic Delay
Galaxy: Delay with swelled repeats and a light modulation
Mod: Delay with modulated repeats
Tri mod: 80’s style delay with thick modulated repeats
Mod-Inv: Reverse delay with modulation
—- Ocean Machine Reverb Types —-
Room: Small room Reverb with a short decay
Hall: Large spacious Reverb with a long decay
Plate: Based on a traditional mechanical plate reverb
Dist Verb: Distorted Reverb
FL-Verb: Reverb with a modulated Flanger
Filter: Reverb with a modulated envelope follower
Reverse: Backwards Reverb
Spring: Based on a vintage, large tank, spring reverb
Mod: Reverb with a modulated Chorus
Equipment used:
Carvin HF2 Allan Holdsworth Signature Guitar
Wampler Ego Compressor http://amzn.to/2iGtW6a
Strymon Riverside Overdrive
Morley Little Alligator Volume Pedal http://amzn.to/2es8L2M
Mooer Ocean Machine http://amzn.to/2tkiT3H
Avid Eleven Rack: http://amzn.to/2dyFaWF
Focusrite Saffire Pro 40: http://amzn.to/2es9elp
Apple Logic Pro X
chords of orion — ambient guitar music for the mind and heart.
bill vencil — guitars
web: http://chordsoforion.com
facebook: http://facebook.com/chordsoforion
instagram: http://instagram.com/chordsoforion
twitter: http://twitter.com/chordsoforion
soundcloud: http://soundcloud.com/chordsoforion
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Electro-Harmonix C9 Organ Machine
The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds.
The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound’s sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content. Blend your dry signal to create beautiful layers. Lovers of classic organ and keyboard rejoice!
http://www.ehx.com/products/c9
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BOSS RC-3 Loop Station — Dave Weiner Demonstration
Dave Weiner talks to BOSS about the RC-3 Loop Station.
3113 238
Guitar Synthesizer Shootout
In this video, I come clean about my true love: guitars. I also demonstrate several guitar synthesizers: a Godin Montreal Premiere outfitted with a Fishman Triple Play interface, a Godin LGXT with built-in Roland electronics connected to a Roland GR-1, a Yamaha G10, and a special surprise at the end.
The main sound used by the guitar synths is the new Waves Electric 200 Wurlitzer VST.
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Electro-Harmonix MEL9 Tape Replay Machine
The new MEL9 Tape Replay Machine emulates vintage Mellotron® sounds and uses the same ground breaking technology that powers the award-winning B9 and C9 Organ Machines, plus the KEY9 Electric Piano Machine. Nine of the most famous sounds are included: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir.
MEL9 works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs! It also works with bass guitar down to the open A string and keyboards, too.
Watch as Bill Ruppert takes you on a tour of the MEL9 and re-creates some of the most iconic sounds of classic rock!
®Mellotron is a registered trademark of David Kean, M. Resch AB and Markus Resch.
For more information visit: http://www.ehx.com/products/mel9
Like/Follow Electro-Harmonix:
https://www.facebook.com/ElectroHarmonix
https://twitter.com/EHX
https://instagram.com/ehx
https://www.youtube.com/EHX
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Boss GP-10 User Demo with Editor
A demo of the new GP-10 guitar processor from Boss.
This video aims to give an insight into the powerful capabilities of the GP-10. I’m using the Boss Editor as this gives the best visual representation, however, most editing can be done on the unit itself.
The recording was done over the GP-10's USB output into Logic 9.
I’m using a GK3 equipped Epiphone Les Paul Standard. In the first part of the video I do a comparison of the actual magnetic pickups of the guitar and the modelled pickups via the GK3 by selecting Elec gtr and LP. This is done both clean and through an emulated amp. The pickups fitted to the Epi are Iron Gear Dirty Torque and Blues Engine. Differences could be down to the type of pickup Boss has modelled.
I take a quick look at the effects section and at the instruments modelled, i.e banjo, sitar, acoustic, synths etc..
I also look at the altered tuning capabilities then finish up by demoing some of the patches available via download and some of the standard presets.
NB: everything is being done in real time.
Having problems with tracking on the OSC synth so have left this for another demo maybe.
This is only scratching the surface of what this can do. You can use a normal guitar input and use it as an upfront fx and amp modeller. Put it in the effects loop as a multi-effects. Plug it straight into a power amp and have all options available providing you have a GK3 equipped guitar. You can also just use it for down tuning by selecting the modelled pickup of your type of guitar and bypassing everything else. You can then instantly tune your guitar to anything you like at the push of a switch.
Nearly all parameters are assignable to the expression controller or one of the CTL switches on the unit. Has additional CTL socket for say a Boss FS-6 footswitch for more control.
It also has an eight track USB interface. This will will record a stereo pair and each of the six strings onto its own separate track in your DAW. This enables re-amping as well as re-guitaring! Also has pitch to MIDI over USB so you can play soft synths etc. on your Mac or PC.
A few limitations are: no standard MIDI connection. Non standard USB compliant interface. No option for 4CM.
Hours of fun to be had!
Thanks for watching.
Preset demo at: 13:28
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Boss SY-1 Synthesizer Pedal Review
Check out the full specs and purchase this amazing pedal here: — http://bit.ly/2Z1j04m
BOSS has been the goto pedal maker for guitarists for decades. With a reputation for solid construction and a wide range of control, BOSS has consistently produced pedals that stand the test of time. The SY-1 is another breakthrough in their regular stompbox size pedal range. Taking the best elements of the SY-300 they have put a host of synthesised sounds in a latency-free pedal.
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