The Best of Chopin

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THE BEST OF CHOPIN

Douze Etudes Op. 25: No. 1 "Aeolian Harp" (00:00)
Nocturne in B-flat minor Op. 9 No. 1 (02:27)
Nocturne in F# major Op. 15 No. 2 (07:44)
Nocturne in B-flat minor Op. 9 No. 1 (11:08)
Nocturne in B major Op. 32 No. 1 (16:33)
Nocturne in C minor Op. 48 No. 1 (20:30)
Nocturne Op. posth. No. 20 in C sharp Minor (25:06)
Nocturne in D-flat major Op. 27 No. 2 (29:02)
Nocturne in E-flat major Op. 9 No. 2 (33:35)
Nocturne in E minor Op. 72 No. 1 (38:18)
Nocturne in F# minor Op. 15 No. 2 (41:43)
Nocturne in F# minor Op. 48 No. 2 (44:27)
Nocturne in G minor Op. 15 No. 3 (50:59)
Prelude in E minor Op. 28 No. 4 (55:33)
Prelude in D-flat major Op. 28 No. 15 "Raindrop" (57:39)
Prelude in A major Op. 28 No. 7 (1:03:14)
Polonaise in A-flat major, Op. 53 "Heroic Polonaise" (1:04:11)
Polonaise in C sharp minor Op. 26 No. 1 (1:10:38)
Prelude in E-flat minor Op. 28 No. 14 (1:18:29)
Prelude in A-flat major Op. 28 No. 17 (1:19:03)
Prelude in F minor Op. 28 No 18 (1:22:02)
Prelude in G major Op. 28 No. 3 (1:22:50)
Prelude in B minor Op. 28 No. 6 (1:23:52)
Prelude in F# minor Op. 28 No. 8 (1:26:00)
Scherzo No. 2 Op. 31 (1:27:50)
Waltz in F minor Op. 70 No. 2 (1:37:49)
Waltz in A minor Op. 34 No. 2 (1:40:47)
Waltz in D-flat major Op. 64 No. 1 “Minute Waltz” (1:46:15)
Grande Valse Brillante Op. 18 (1:48:00)
Waltz in A Flat major, Op. 69 No. 1 (1:50:05)

Frédéric François Chopin (1810 – 1849) was a Polish composer and virtuoso pianist of the Romantic era. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation."

All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument: his own performances were noted for their nuance and sensitivity. Chopin invented the concept of the instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J. S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period.

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Святослав Рихтер. Легендарный концерт в Лондоне

1989 год
Одно из самых неординарных и значимых выступлений величайшего пианиста XX века Святослава Рихтера — концерт в лондонском зале "Барбикан" в 1989 году. Немногие знают, что чувствующий резкое ух

Бетховен. Соната № 8 («Патетическая») до минор. Александр Лубянцев

Александр Лубянцев — XIV Международный конкурс имени П.И.Чайковского 17 июня 2011 — Л. ван Бетховен.
Соната для фортепиано № 8 до минор, oп. 13 («Патетическая») — произведение, написанное в 1798—1799 годах и опубликованное под названием «Большая патетическая соната» (Grande sonate pathetique) с посвящением князю Карлу фон Лихновскому.
Scores Ludwig van Beethoven — Sonata Pathetique (No. 8) https://yadi.sk/i/AX1gaXFvaihA3

Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. Prominent musicologists debate whether or not the Pathétique may have been inspired by Mozart's piano sonata K. 457, since both compositions are in C minor and have three very similar movements.

The sonata consists of three movements:
Grave (Slowly, with solemnity) – Allegro di molto e con brio (Quickly, with much vigour)
Adagio cantabile (Slowly, in a singing style)
Rondo: Allegro (Quickly)
Grave – Allegro di molto e con brio
The first movement is in sonata form. It begins with a slow introductory theme, marked Grave. The exposition, marked Allegro di molto con brio, is in 2
2 time (alla breve) in the home key of C minor and features three themes. Theme 1 features an aggressive rocket theme covering two octaves, accompanied with constant tremolo octaves in the left hand. Beethoven then makes use of unorthodox mode-mixture, as he presents the second theme in E-flat minor rather than its customary parallel major. This theme is more lyrical and makes use of grace notes and crossed hands. Theme 3 has modulated to the mediant, E-flat major, and features an Alberti-type figuration for the bass with tremolo. A codetta, with ideas from the opening allegro, closes the section. Some performers of the sonata include the introduction in the repeat of the exposition (Rudolf Serkin and András Schiff, for example), but most return to the beginning of the allegro section. This movement is one of the few compositions that contain hundred twenty-eighth notes (semihemidemisemiquavers).

The development section begins in the key of G minor. In this section, Beethoven extends Haydn's compositional practice by returning to the introductory section. After this reappearance of the Grave, the composer generates suspense with an extended dominant preparation. The recapitulation brings back the themes of the exposition in different keys: themes 1 and 3 are played in the tonic key of C minor, then theme 2 is played in the unexpected key of F minor but then returns to the tonic key. The coda is very dramatic and includes a brief reminder of the Grave before ending with a swift cadence.

Ludwig van Beethoven — a crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 concertos for piano, 32 piano sonatas, and 16 string quartets. He also composed other chamber music, choral works (including the celebrated Missa solemnis), and songs. During his first 22 years in Bonn, Beethoven intended to study with Wolfgang Amadeus Mozart and befriended Joseph Haydn. Beethoven moved to Vienna in 1792 and began studying with Haydn, quickly gaining a reputation as a virtuoso pianist. He lived in Vienna until his death. In about 1800 his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. He gave up conducting and performing in public but continued to compose; many of his most admired works come from this period.

Натан Перельман - "Урок восхищения"

Урок ведёт профессор Ленинградской государственной консерватории Натан Ефимович Перельман.

Режиссёр фильма — Олег Рябоконь.

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6 октября 2013-го опубликована замечательная работа Александра Избицера "Мимолётности и Сарказмы Натана Перельмана" — http://7iskusstv.com/2013/Nomer9_10/Izbicer1.php

Seong-Jin Cho – Piano Concerto in E minor, Op. 11 (final stage of the Chopin Competition 2015)

17TH INTERNATIONAL FRYDERYK CHOPIN PIANO COMPETITION
18 October 2015, Warsaw Philharmonic Concert Hall
Final Stage

Seong-Jin Cho – piano
Jacek Kaspszyk – conductor
Warsaw Philharmonic Orchestra

All rights reserved 2015
The Fryderyk Chopin Institute, Polish Television TVP

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Даниил Трифонов. Шопен, концерт №1.

релакс Шопен красивая, успокаивающая музыка

PANZAR играй в команде!
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Mikhail Pletnev plays Chopin Preludes, op. 28 - video 2004

Mikhail Pletnev playing Chopin's 24 Preludes, op. 28, live in Moscow in 2004. I've removed the loud mobile phones from the end of the second prelude (three went off in succession).

Михаил Плетнёв — Шопен — Прелюдии

Филировка звука, уникальный прием звукоизвлечения "perle ", "говорящие пальцы" Берты.