Май 11, 2013
From Torino
Conductor — Gianandrea Noseda
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93,750 просмотров
From Torino
Gianandrea Noseda — Conductor
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Cardiff Singer of the World 1989 Dmitri Hvorostovsky
Renato's Aria "Eri tu che macchiavi" from Act III, Scene 1 of the Italian Opera, "Un Ballo in Maschera" by Giuseppe Verdi
Libretto : Francesco Maria Piave
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The opera premiered at the Opéra-Comique of Paris on 3 March 1875, but its opening run was denounced by the majority of critics.It was almost withdrawn after its fourth or fifth performance, and although this was avoided, ultimately having 48 performances in its first run, it did little to bolster sagging receipts at the Opéra-Comique. Near the end of this run, the theatre was giving tickets away in order to stimulate attendance. Bizet died of a heart attack, aged 37, on 3 June 1875, never knowing how popular Carmen would become. In October 1875 it was produced in Vienna, to critical and popular success, which began its path to worldwide popularity. It was not staged again at the Opéra Comique until 1883.
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Дж. Верди. Ария короля Филиппа из оперы "Дон Карлос". Исполняет Николай Гяуров. Фрагмент концерта, посвящённого 200-летию Большого Театра. 1976 г.
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Aria of Don Basilio from Rossini's Il Barbiere di Siviglia.
New York 1976
Titus, H. Price, Samuel Ramey, Gramm; S. Caldwell
Please, no copyright infringement intended! He is brilliant!
More photos of Samuel Ramey at
http://www.instantencore.com/contributor/contributor.aspx?CId=5066492
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From the Mariinsky Theatre in St Petersburg, December 2012
Orchestra of the Mariinsky Theatre
Valery Gergiev — conductor
Arturo Gama — stage director
Ildar Abdrazakov — Attila, King of the Huns
Vladislav Sulimsky Ezio — a Roman General
Anna Markarova Odabella — daughter of the Lord of Aquileia
Sergei Skorokhodov Foresto — a Knight of Aquileia
Mikhail Makarov Uldino — Attila’s slave
Timur Abdikeyev Leone — an old Roman
Click here to watch other Operas by Giuseppe Verdi: https://goo.gl/d2RaQ9
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Guiseppe Verdi: Attila — dramma lirico in a prologue and three acts
Based on Friedrich Werner’s "Attila, King of the Huns" this powerful and atmospheric opera puts the spotlight on celebrated Russian bass Ildar Abdrazakov in the title role.
Set in the mid-5th century Attila focuses on the collapse of the Roman Empire and is a dramatic reflection on freedom, courage and hope.
0:55 Prologue
As Attila and his warriors have triumphed over Italy. Attila’s prisoners include Odabella, the daughter of the ruler of Aquileia who fell on the battlefield. Odabella creates a great impression on Attila. He presents her with his sword and takes her into his entourage. Ezio, a Roman general, comes to parley with Attila, but the latter rejects his proposal. Meanwhile Foresto, Odabella’s betrothed, arrives at Rio-Alto and urges the refugees from Aquileia to build a new city – Venice.
Act I
Meeting Foresto, Odabella convinces him that she has not betrayed the Italian cause. She was merely awaiting an opportunity to settle accounts with the tyrant and kill him. Meanwhile, Attila is trying to shake off the memory of a nightmare he had the previous night: an imposing old man barred the Huns’ road to Rome. But his courage fails when the nightmare becomes a reality. Pope Leo enters the camp to prevent Attila’s advance on Rome. Attila recognises in him the old man from his dreams.
Act II
Foresto and Ezio, a guest at one of Attila’s banquets, lay plans for the defeat of the Huns. Foresto reveals that tonight the Huns’ leader is to be poisoned – the Roman warriors must be at the ready to attack the enemy camp at any moment. Sinister omens darken the atmosphere at the feast, and the king is only saved from being poisoned by Odabella’s intervention: unwilling to cede the right to revenge to anyone else, she warns Attila of the attempt on his life. Attila declares that she shall be his bride the next day and then he will lead his warriors to Rome. Taking advantage of the general rejoicing, the girl urges Foresto, who has tried to poison Attila, to flee.
Act III
During the wedding ceremony, the Romans surround the Huns’ camp and, when they attack, Odabella stabs Attila.
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Moscow Conservatory Grand Hall (2009). The State Academic Symphony Orchestra of Russia (Svetlanov Symphony Orchestra), Ion Marin (Conductor). Opera arias, and Duets by Mozart, Beethoven, Verdi, Bellini. TV Kultura.
Концерт в Большом Зале Консерватории (2009). Телеканал Культура 2013. Принимают участие: Н. Мурадымова, Д. Белосельский, Государственный академический симфонический оркестр им. Е.Ф. Светланова. Дирижер: Ион Марин. В программе — арии, дуэты и увертюры из опер В.А. Моцарта, Л. Бетховена, Дж. Верди, В. Беллини.
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The beautiful hungarian bass László Polgár in one of the most marvelous pages of Verdi. Just magnificent.
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Ildar Abdrazakov, basse, interprète « Le Barbier de Séville, La Calunnia », composé par Rossini, accompagné par l’Orchestre National du Capitole, direction Tugan Sokhiev.
En direct de la Halle aux Grains de Toulouse, Claire Chazal et Frédéric Lodéon présentent cette cérémonie, qui récompense les meilleurs artistes de la scène classique française et internationale. Musiciens confirmés et jeunes révélations se produisent avec l'Orchestre et le Choeur du Capitole de Toulouse, sous la direction de Tugan Sokhiev. Outre les nommés dans les diverses catégories représentées et récompensées par ces Victoires, des grands noms de la scène lyrique se succèdent tout au long de la soirée. Parmi eux la soprano russe Olga Peretyatko, le chanteur basse russe Ildar Abdrazakov, ou encore le ténor américain Charles Castronovo.
Retrouvez plus d’informations et l’ensemble des prestations sur :
Site officiel : http://www.france3.fr/emissions/les-victoires-de-la-musique-classique
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Twitter : https://twitter.com/victclassique
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